I promised myself I would back up a bit and explain the first two weeks before starting this blog. I'll cut out all the boring bits of being lonely, bored, moneyless and having the flu (which I successfully passed onto about six people in my class. A way to meet and influence new friends- cough on them) and crack on with the work.
So jump into your DeLorean and lets go driving in a storm...
Our first real brief (the first week was pretty much the usual. Meet the principal, isn't he nice, do your work, make us proud, have fun, be safe, have a shitload of information that'll take you a month to get your head round etc etc) was in the second week. We took an arty sightseeing trip to Poole to get a feel of the place. In a sentence- Poole is one of many seaside towns whose tourism has dried up and now they're regenerating themselves. I come from the coast- no offence, its nothing new and I have no opinion on it either way. I've seen a lot of it. I feel sorry for the locals- it really sucks when your council is more interested in reflective artwork then the real problems in the area. Anyway, mini rant over, Poole isn't half bad. Some of their architecture is beautiful and I loved the little nooks and crannies.
There was a picture I particularly liked which summed up the regeneration perfectly. There was this building, that if you looked at straight on- it looked quite modern- one of those Victorian buildings spruced up with a bit of paint. However, there was an alleyway called Button Lane down the side of it that was completely untouched.

I decided to use this photo to work on the brief. The brief itself was to create an editorial illustration for a newspaper. I chose The Guardian because the audience is left-wing young professionals and I thought the way I wanted to create the illustration would look best in that environment. I used a cutting method I learnt in Foundation at North Devon College and created a number of experiments with different types of paper. Poole's colours are blues and turquoises and some brown so wanted to use a brighter colour to compliment that. The colours I chose were orange and blue. I didn't really have time to really work into it as the brief only gave us a week before a mini-crit but I do plan to work on it a bit further. I researched quite a bit- at other editorial illustrations in The Guardian and the word 'Regeneration'. I have a sketchbook with it all and I plan to work on it at weekends to really get it how I want to.
The feedback from the mini-crit was positive albeit a little confusing. Because, rather then showing half a finished piece I decided to show what I'd started with, I think Sally must've thought I'd done absolutely no work. And it really doesn't scream 'I AM POOLE!' so I need to step that up a bit as well.
We also have an ongoing project with Anna, about the meanings of images and type, which I'm really liking actually. Not so much the lectures because I'm not really a sit-down kind of girl, but the information- semiotics and the sociology and historical threads through the work (I did A Levels in Sociology, History and English Language and Literature before doing the Foundation Diploma in Art and Design) interest me. I like politics and the way things work.
So thats my trip into time. I'm off the research I think, but first, a little cigarette break.